http://www.cafeseren.com/festivals.html
http://www.solarworldcinema.blogspot.de/
serious ideas
Organic farming CAN feed the world ?
Barefoot Solar Engineers
Climate Change (documentary)
Eco-films Festival, Rhodes
2010
| COMPETITION FEATURE LENGTH FILMS |
| BANANAS!, 88 – Fredrik Gertten |
| EYES WIDE OPEN-EXPLORING TODAY’S SOUTH AMERICA, 110 – Gonzalo Arijon |
| FOUR WINGS AND A PRAYER, 81 – Nick de Pencier |
| GARBAGE DREAMS, 79 – Mai Iskander |
| PIANO FOREST, 97 – Masayuki Kojima |
| SEED WARRIORS, 86 – Mirjam von Arx |
| SPACE TOURISTS, 98 – Christian Frei |
| THE EGLOUVI PLATEAU, CODE: ILL293, 75 – Eleonora Fiorou |
| THE GOLD OF ARGOLIDA – LOVE AND PAIN FOR THE ORANGE, 76 – Giorgos Zervas |
| THE PEDDLER, 84 – Eduardo de la Serna & Lucas Marcheggiano, Adriana Yurcovich |
| THE RAINBOW WARRIORS OF WAIHEKE ISLAND, 87 – Suzanne Raes |
| THERE, 91 – Hakki Kurtulus – Melik Saracoglu |
| THIS MOMENT IS NOT THE SAME, 101 – Marion Neumann |
| UTOPIA, 78 – Alex Ruiz & Lucho Iglesias |
| U-TURN, 86 – Sergio Garcia de Leaviz |
| COMPETITION MEDIUM LENGTH FILMS |
| CHILIKA BANK$, 62 – Akanksha Joshi |
| COUNTRYSIDE 35X45, 43 – Evgeny Solomin |
| GOODBYE, HOW ARE YOU?, 56 – Boris Mitic |
| GRAND PARIS: THE PRESIDENT AND THE ARCHITECT, 50 – Bregtje van der Haak |
| GREENLIT, 50 – Miranda Bailey |
| I AM GURGAON – THE NEW URBAN INDIA, 50 – Marije Meerman |
| NUCLEAR NTR: NOTHING TO REPORT, 58 – Alain de Halleux |
| OIL ROCKS – CITY ABOVE THE SEA, 52 – Marc Wolfensberger |
| PETROPOLIS: AERIAL PERSPECTIVES ON THE ALBERTA TAR SANDS, 43 – Peter Mettler |
| PRETEND NOT TO SEE ME , 49 – Katherine Knight |
| REMAINED, 39 – Kostas Agiannitis & Maria Geraki & Chrisanthi Zouroudi |
| REVIVING FAITH, 60 – Rishu Nigam |
| THE CALL OF THE MOUNTAIN, 52 – Stelios Apostolopoulos |
| THE LATENT CITY, 57 – Krishnendu Bose |
| THE SOUL OF APPLIANCES, 50 – Susanne Engels |
| THE WORST COMPANY IN THE WORLD, 50 – Regev Contes |
| TO NORTH EAST, 44 – Milo Adami & Luca Scivoletto |
| VIDEOMAPPINGS: AIDA, PALESTINE, 46 – Till Roeskens |
| VOLUME ZERO: THE WORK OF CHARLES CORREA, 58 – Arun Khopkar |
| COMPETITION SHORT LENGTH FILMS |
| [AT], 5 – Alberto Carlassare |
| 00100 “SOL”, 2 – Shoji Goto |
| 1,2 MILLION CHILDREN, 2 – Efi Pappa |
| A BICYCLE MADE OF SALT, 15 – Trinidad Lemos |
| A BOATMAN’S JOURNEY, 19 – Viplab Majumder |
| A LONG DISTANCE CALL, 12 – Joe Chang |
| ARSY – VERSY, 23 – Miroslav Remo |
| BASIN, 8 – David Geiss |
| BONDS, 5 – Denes Ruzsa |
| BRINGING LIFE TO SPACE 1.3 – ONE YEAR LOCKED IN A CONTAINER, 28 – Jakob Gottschau & Ojvind Hesselager |
| BUTTERFLIES , 3 – Elena Papanikolaou |
| BUTTERFLIES DIE IN SNOW, 15 – Karim Azimi |
| CAN YOU HEAR THE TREES?, 2 – Marco Marchesi |
| CATTLE CAMP , 28 – Alijan Nasirov |
| CITY’S SUBCONSCIOUS, 6 – Stergios Mountsakis |
| CONCRETE COAST, 26 – Robert Harding Pittman |
| DO YOU?, 1 – Sanyog Sanjeeva Mohite |
| FORGET MALDOROR, 6 – Symeon Karagavriilidis |
| HOW PEOPLE GOT FIRE, 16 – Daniel Janke |
| HUNGU, 9 – Nicolas Brault |
| ID, 8 – Miroslav Jovic |
| ISOLA, 17 – Antonia Ringbom |
| JUST SO STORIES – THE CAT THAT WALKED BY HIMSELF, 12 – Jean-Jacques Prunes |
| KAVI, 19 – Gregg Helvey |
| KIPSELI, 29 – Documentary team of Athens municipality’s cultural organism |
| LEFT RIGHT, 14 – Stavros Raptis & Argyris Germanidis |
| LILLY, 5 – Kyrinaios Papadimatos |
| LOVE AT FIRST SIGHT, 1 – Vasilis Tanos |
| MAMA, 9 – Geza M. Toth |
| MURGIA: A TRIP AROUND MEMORY, 20 – Cosimo Terlizzi |
| MUTO, 8 – BLU |
| NAUFRAGO, 9 – Juan Manuel Monesterio & Jose M. Cuesta, Carlos Belda |
| NEUF, 7 – Simon Baumann |
| OBLIVION, 17 – Gabriel Tzafkas |
| OLD MAN PETER, 26 – Ivan Golovnev |
| PIG LOVE , 24 – Blandine Huk & Frederic Cousseau |
| PLASTIC AND GLASS, 9 – Tessa Joosse |
| POINTS, 5 – Hossein Moradizadeh |
| PORTAL, 9 – John Bush |
| PYXIS, 8 – Bram Van Cauwenberghe & Guisepe Galante & Julien Malassigne |
| RUN NANU RUN, 6 – Wei-Ming Ho |
| SKHIZEIN, 13 – Jeremy Clapin |
| THE ARCHELON BUBBLE, 30 – Elefthrios Fylaktos |
| THE AWESOME STORM MAN, 10 – Angelos Spartalis |
| THE BOY AND THE TREE, 26 – Panagiotis Rappas |
| THE EARTH GAME, 4 – Chan Siu Lung |
| THE GARDEN, 7 – Shu-Man Chang |
| THE HYBRID UNION, 5 – Serguei Kouchnerov |
| THE JUMPER AND THE MELON-GARDEN, 15 – Nana Loukou |
| THE OWL, 7 – Hossein Moradizadeh |
| THE PAINTER OF SKIES, 20 – Jorge Morais Valle |
| THE STARE OF THE ANIMAL, 15 – Angelos Panagou |
| TURNING, 12 – Sabine Hellmann |
| UKUKU, 20 – Gaston Vizcarra |
| UNDERGROUND INFERNO, 31 – Sanjeev Sivan & Umesh Aggarwal |
| VIVE LA CRISE!, 3 – Alexei Gubenco |
| WEIGHTLESS, 11 – Oliver Kracht |
| WINTER REST, 12 – Leung Man Ki |
| PANORAMA |
| 2755 MILES, 17 – Janis Rafailidou |
| AUTOSUGGESTION, 11 – Vasilis Siafakas & Chrysa Kalfi |
| BILOBA, 97 – Sophia Papachristou |
| COLOSSI OF LOVE, 52 – Nikos Mistriotis |
| CONNECTING DELTA CITIES, 50 – Ellen Davids |
| DEATH LIFE ETC., 80 – Arghya Basu |
| DISARM AND LIVE, 83 – Jean-Marie Matagne |
| GAIA, 13 – Manthos Armpelias |
| HARUN ARUN, 75 – Vinod Ganatra |
| KALYMNOS AND CLIMBING, 58 – Alexandros Louizidis |
| LOCAL WARMING, 2 – Simon Baumann |
| NUMB TIME, 31 – Giannis Fragoulis |
| RED SAND, 17 – Dimitris Filippou |
| REMNANT, 15 – Thanos Kermitsis |
| SAREGA, 54 – Valerie Berteau |
| The Flaneu® SHOOTS AUSCHWITZ, 30′ – Konstantinos – Antonios Goutos |
| THE ICE SCULPTOR, 40 – Alberto Meroni |
| UNLIMITED-RENEWABLE ENERGY IN THE 21ST CENTURY, 26 – Daniel Califf-Glick & Barbara Azzoli |
| WASTE: THE NUCLEAR NIGHTMARE, 99 – Eric Gueret |
| WE WON’T GO ANY FURTHER, 55 – Sonia Ringoot |
2009
| COMPETITION FEATURE LENGTH FILMS |
| Alice in the land,, 86′ – Esteban Larrain |
| El Sistema, 102′ – Paul Smaczny & Maria Stodtmeier |
| Food Fight, 85′ – Chris Taylor |
| Hair India, 74′ – Raffaele Brunetti & Marco Leopardi |
| Half the time of my life, 93′ – Marko Doringer |
| If a swallow does not make spring, which swallow?, 96′ – Manuela Morgaine |
| King Corn, 90′ – Aaron Wolf |
| Light year, 101′ – Mikael Kristersson |
| Max Bill- the master’s vision, 94′ – Erich Schmid |
| Milking the rhino, 83′ – David E. Simpson |
| Mindelo behind the horizon, 73′ – Alexis Tsafas |
| Pachamama, 104′ – Toshifumi Matsushita |
| Princess of Africa , 76′ – Juan Laguna |
| Recipes for disaster, 86′ – John Webster |
| The Threat, 86′ – Luca Bellino & Silvia Luzi |
| Water times, 89′ – Miguel Angel Baixauli |
| COMPETITION MEDIUM LENGTH FILMS |
| .in for motion, 59′ – Anirban Datta |
| Addicted to plastic, 53′ – Ian Connacher |
| Bells, threads and miracles, 65′ – Marianna Oikonomou |
| Chameleon Beach, 52′ – Adam Schmedes |
| Colors of the marsh, 53′ – Marie Daniel |
| Every season has an end, 54′ – Baptiste Charles & Sarah Jaoui |
| Global food: gelato, 52′ – Susan Gray |
| Hope against hopeless, 43′ – Giorgos Avraam & Kostantinos Patsalidis |
| Just one day, 58′ – Enrico Bisi |
| Lalla Romano-the winter in me, 57′ – William Farnesi |
| Leyla and Mecnun abroad, 61′ – Zeynep Ozkaya |
| Mean Sea Level, 59’ – Pradip Saha |
| School on the move, 53′ – Michel Debats |
| Tar Sands:Canada for sale, 52′ – Tom Radford |
| The Beetle, 55′ – Yishai Orian |
| The Deadline, 50′ – Phil Stebbing |
| The Forgotten District, 52′ – Oliver Dickinson |
| The Golden beach, 58′ – Hasse Wester |
| The Homeless club, 55′ – Claudia Brenlla |
| The Sandpit, 54′ – Sebastian Sepulveda |
| The Shore, 56’ – Ruya Arzu Koksal |
| The Strait, the gateway to the worlds, 54′ – Alberto Gomez Latorre |
| The Tale of Nicolai and the law in return, 54′ – David Ofek |
| Trading the future, 59′ – b.h. Yael |
| Where the Peul go, 53′ – Sylvain Vesco |
| COMPETITION SHORT LENGTH FILMS |
| +1 C, 2′ – Denes Ruzsa |
| Big City, 12′ – Rafael Deugenio |
| Chepogi, 14′ – Leon Estrin |
| Cyanosis, 32′ – Rokhsareh Ghaemmaghami |
| Darkness on the edge of a town, 12′ – Snjezan Lalovic |
| Dispossession, 22 – Joanna Wesseling |
| Djemo, goat and brucellosis, 19′ – Nisvet Hrustic |
| Drops of a memory, 2′ – Anna Moisi |
| Eco here-Death there, 26′ – Inge Altemeier |
| Ellipse, 2′ – Luc Walpoth & Jeremie Bacher |
| Homegrown Revolution, 16′ – Jules Dervaes |
| I am more a tree than a man, 7′ – Tomasz Domanski |
| Instructions, 29′ – Costas Yiallourides |
| Intimate/World, 17′ – Yuen |
| Kavalar-the white zone, 26′ – Ralf Kuster |
| Let there be light, 26′ – Vladimir Perovic |
| Maradona baby, 10′ – Nino Sabella |
| Mobile Postcard, 4′ – Peter Vadocz |
| No penguin’s land, 9′ – Marcel Barelli |
| Pannonian desert, 29′ – Szabolcs Mosonyi |
| Peter and the wolf, 32′ – Suzie Templeton |
| Power of light, 26′ – Anton Utkin |
| Raw, 26′ – Anneloek Sollart |
| Save our planet!, 2′ – Kingseys& The Knight Writer |
| Steps, 14′ – Panagiotis Katsaxnias & Konstantinos katrakis |
| The Big ask, 4′ – Nic Balthazar |
| The Charmer of Grammos, 28′ – Vanggelis Efthymiou |
| The Face of the pine trees, 35′ – Eirini Stathi |
| The House, 6′ – Aggelos Spartalis |
| The Invisible bird-photographer, 25′ – Attila David Molnar & Zsolt Marcell Toth |
| The Pink Cloud, 8′ – Masoud Ghodsieh |
| The Sea, 2′ – Beatriz Gilberto |
| Traveler’s guide to global warming (A), 2′ – Kerri Allegreta & Lisa La Bracio |
| Tsuribashi, 4 – Ulrike Schulz |
| Until the time comes…, 26 – Zoltan Csubrilo |
| Vae Soli (Woe to the one who is alone), 2′ – Neva Ivanec & Filip Rozic |
| Words in the air, 5′ – Didier Ducrocq |
| Written by Gandhi, 1 – Joseph Spaid |
| Yha Hamaraa (Continuously dark), 7′ – Mike Aristomenopoulos |
| PANORAMA |
| A blooming business, 52′ – Ton van Zantvoort |
| Against the wind, 26′ – Alexandros Papailiou |
| Akrotiri peninsula, 40′ – Elli Xatziparaskeva |
| Alice, 16′ – Montini Muriel |
| Boris Ryzhy, 60′ – Aliona van der Horst |
| Canyoning in the mystery island of Samothraki, 41′ – Christos Barous |
| Capodistrias-Spinelli-Europe, 20′ – Wayne Hall |
| Cinema Paradise, 4′ – Kim Tai-yong |
| Crooked wood, 27′ – Jay Kroon |
| Fish On!, 60′ – Liivo Niglas & Diane Perlov/Frode Storaas |
| Following the traces of naxian Emery, 38′ – Sofia Kritikou & Malegianni Eirini |
| Grammos,illusions, 20′ – Nikos Theodosiou |
| Is king Alexandros dead or alive?, 29′ – Giorgos Panteleakis |
| Kastellorizo Yesterday And Today, 23′ – Alexandros Louizidis |
| Kissed by the grape, 61′ – Fred van Dijk |
| Lilliputian Mimicri, 29′ – Attila David Molnar & Zsolt Marcell Toth |
| Living with shame, 25′ – Huaqing Jin |
| Maryam; the girl from the lost paradise, 43′ – Azam Mousawi |
| Niland 1, 13′ – Marius Leneweit & Rocio Rodriguez |
| Prague in spring (overture), 14′ – Konstantinos Antonios Goutos |
| Regular night, 16′ – Stergios Paschos |
| San Cosmo Albanese, 52′ – Aristidis Miaoulis |
| SOS!Animals in danger, 6′ – Aggelos Kovotsos |
| Take me home , 54′ – Mais Darwaza |
| The Age of stupid, 92′ – Franny Armstrong |
| The Last hope, 6′ – A. S. Hakan GOK |
| The time of Ôhoth, 31′ – Enza Carpignano |
| Theo Angelopoulos films “The dust of time”, 47′ – Nikos Ligouris |
| Together, 13′ – Margarita Kokkiza |
| Tsaghkadzor-Development versus woods, 5′ – Arpen Chichakyan & Tatev Baghdasaryan |
| Way of nature, 107′ – Nina Hedenius |
| Who cares about the real, 5′ – Tu, Pei-Shih |
| TRIBUTES |
| Actors, 36′ – Stefanos Tsivopoulos |
| Fires in Rhodes 2008 A memoir, 9′ – Lucia Rikaki |
| Land, 9′ – Stefanos Tsivopoulos |
| Reverse, 30′ – Stefanos Tsivopoulos |
| Small Crime, 90′ – Christos Georgiou |
| The interview, 33′ – Stefanos Tsivopoulos |
| The remake, 13′ – Stefanos Tsivopoulos |
2008
| COMPETITION FEATURE LENGTH FILMS |
| A PROMISE TO THE DEAD: THE EXILE JOURNEY OF ARIEL DORFMAN, 91’ – Peter Raymont |
| ENCOUNTERS AT THE END OF THE WORLD, 99’ – Werner Herzog |
| END OF THE RAINBOW, 83’ – Robert Nugent |
| MAN WOMAN COFFEE, 75’ – Carl Eugen Johannessen |
| PEACE WITH SEALS, 96’ – Miloslav Novak |
| STONE TIME TOUCH, 70’ – Garine Torossian |
| THE DEVIL CAME ON HORSEBACK, 85’ – Annie Sundberg & Ricki Stern |
| THE LOST COLONY, 70’ – Astrid Bussink |
| THE LOVERS FROM AXOS, 80’ – Nicos Ligouris |
| THE THIRST OF A STONE SEA, 78’ – Vladimir Perovic |
| UMBRELLA, 93’ – Du Haibin |
| URBAN EXPLORERS: INTO THE DARKNESS, 86’ – Melody Gilbert |
| WAR/DANCE, 105’ – Sean Fine, Andrea Nix Fine |
| WONDERS ARE MANY: THE MAKING OF DOCTOR ATOMIC, 92’ – Jon Else |
| COMPETITION MEDIUM LENGTH FILMS |
| AUTUMN IN THE HIMALAYAS, 57’ – Malgorzata Skiba |
| BEFORE THE FLOOD, 55’ – Jos de Putter |
| BRIDGE OVER THE WADI, 55’ – Tomer Heymann, Barak Heymann |
| CYCLOWN CIRCUS, 67’ – Dimitris Sfiris |
| ELOQUENT NUDE: THE LOVE AND LEGACY OF EDWARD WESTON AND CHARIS WILSON, 57’ – Ian McCluskey |
| FATAL CIRCLE, 46’ – Nisvet Hrustic |
| GREAT EXPECTATIONS, 52’ – Jesper Wachtmeister |
| HOMO DELPHINUS, 52’ – Vincent Amouroux |
| LIVING AND DYING IN THE SWAMP, 52’ – Luc Riolon |
| LOVE LESSONS FOR REVOLUTIONARY ACTION, 57’ – Nikos Alevras |
| MAKING STRIDES, 44’ – Carmen Comadran, Cesar Diez |
| OTTER MAN, 50’ – Zoltan Torok |
| PARADISE – THREE JOURNEYS IN THIS WORLD, 51’ – Elina Hirvonen |
| SPIDER GAME, 52’ – Thierry Berrod |
| SURVIVING THE TREATMENT: THE RETURN OF MYLES MCLELLAN, 66’ – Billie Mintz |
| THE ASH THAT REMAINS, 66’ – Nikos Kavoukidis |
| THE BLACK RIVER, 60’ – Surendra Manan |
| THE NUCLEAR COMEBACK, 53’ – Justin Pemberton |
| THE SUN DISAPPEARED, 54’ – Elina Traiforou |
| UNCLE MITTE, 47’ – Wijnand van Ginkel |
| VANUATU, THE PIG ISLANDS, 52’ – Jean-Pierre Rivalain |
| COMPETITION SHORT LENGTH FILMS |
| 9, 6’ – Maria Parianou |
| A18ONE, 12’ – Pandelis Frantzis |
| ANGEL, 11’ – Agnieszka Skolik |
| ANGELS DIE IN THE SOIL, 30’ – Babak Amini |
| ANOTHER BEAUTIFUL DAY, 5’ – Tu, Pei Shih |
| APNA ALOO BAZAAR BECHA – FROM SUBSISTENCE ECOLOGY TO THE MARKET, 28’ – Pankaj H Gupta |
| BEFORE THE WIND BLOWS, 18’ – Samer Najari |
| CO2 OR YOU?, 1’ – Tama Gempton |
| ERATO, 8’ – Angelos Spartalis |
| GIRL CLIMBING TREES, 4’ – Jared Katsiane |
| GYPSY MOTH – WORMS FROM HELL, 6’ – Szabolcs Mosonyi |
| HE WHO LAUGHS LAST…, 7’ – Miroslav Jovic |
| I WALK AND THE STARS WALK BEHIND ME, 41’ – Wiliam Farnesi |
| IN THE CITY, 15’ – Stela Papastefanou |
| ITALIAN POPULAR BENCH, 10’ – Werther Germondari |
| JERUSALEM HD, 21’ – Ammar Al-Beik |
| LIBRARY ON ICE – LUTZ FRITSCH IN THE ANTARCTIC, 44’ – Maria Anna Tappeiner, Reinhard Wulf |
| LIFE IN THE FLOODS, 43’ – Florian Guthknecht, Doris Tromballa |
| MBEBEUS, 15’ – Simona Risi |
| MERELY A SMELL, 10’ – Maher Abi Samra |
| MIRASLAVA, 7’ – Roberto Santaguida |
| MYTHS ABOUT YOU, 9’ – Nandita Jain |
| NIJUMAN NO BOREI (200000 FANTOMES), 11’ – Jean-Gabriel Periot |
| RED-LIGHT DISTRICT GRAFFITI, 30’ – Kasumi Hiraoka |
| SPRAY, 22’ – Ìanolis Andriotakis, Medie Megas |
| THE AFFIRMATION OF LIFE – THE WORLD OF EIKOH HOSOE, 30’ – Kazuaki Mori |
| THE CUP, 8’ – Yiannis Bougioukas |
| THE FRIDGE, 7’ – Lucie Stamfestova |
| THE WATER GUARD, 12’ – Waleed Al Shehhi |
| UNDER CONSTRUCTION, 10’ – Zhenchen Liu |
| UTOPIA, 12’ – Mikko Manuel Kamunen |
| WATERSHED, 37’ – Lauren Rosenfeld |
| WHAT WOULD THE DROP KNOW ABOUT THAT?, 12’ – Jan Zabeil |
| WILDGEESE ARE RUSHING THROUGH THE NIGHT, 9’ – Susanne Fasbender |
| PANORAMA |
| A DARK TALE OF LOVE AND DEATH, 30’ – Vangelis Papaevangeliou, Dimitris Kokkotis |
| A DESCRIPTION OF A MEMORY, 80’ – Dan Geva |
| A HOLE IN THE WATER, 58’ – Manos Papadakis |
| CHANGE FOR THE BETTER, 52’ – Marianna Economou, Elias Demetriou |
| COUNTDOWN ON THE YANGTZE, 52’ – Thomas Weidenbach |
| CRANE MIGRATION OF THE HORTOBAGY, 52’ – Zsolt Cseke |
| DALAI LAMA RENAISSANCE, 80’ – Khashyard Darvich |
| DARK, 6’ – George Tzedakis |
| FLY ME, 3’ – Antigone Mixafenti |
| FOLLOWING THE SUN: BESIDE THE TRACKS, 19’ – Members of Sunchild Eco-club Guymri: A. Papoyan, A. Asatryan, A. Movsisyan, V. Hakobyan, A.Melikyan, Z. Khachatryan, R. Hakobyan |
| FORBIDDEN, 69’ – Yiannis Kalemis – Mavrogennis |
| GREINA, 28’ – Villi Hermann |
| HOW LONG WINTER LASTS IN ROMANIA, 28’ – Iris Ponkina |
| IN THE BEGINNING WAS THE MUD, 52’ – Luc Riolon |
| INSPIRED BY NATURE, 9’ – Vangelis Efthymiou |
| KAREAREA: THE PINE FALCON, 49’ – Sandy Crichton |
| KING TIDE, 48’ – Juriaan Booij |
| L’OR BLEU, 52’ – Damien de Pierpont |
| LIFE CIRCLE LIVE CIRCUS LIFE, 5’ – Konstantinos-Antonios Goutos |
| LIVE AND LET LIVE, 56’ – Manolis Dimellas |
| MAN AND THE VOID, 5’ – Alexis Komnakos |
| MAY ‘68, THE BEAUTIFUL PROJECT, 52’ – Jean-Luc Magneron |
| MR. LEONARD AND THE TRAVELLING CINEMA, 67’ – Nikos Theodosiou |
| OHIO IMPROMPTU, 6’ – Spyros Athinaiou |
| OISTROS, 3’ – Katherine Kantsou |
| OLYMPIA: WHAT’S NEXT?, 2’ – Angelike Contis |
| OVER THE HILL, 60’ – Sunny Bergman |
| OVERNIGHT A ROSE, 17’ – Viv Koh, Ching Yao |
| P IS FOR PAPAYA, 8’ – Aube Giroux |
| PENEUS SACRED ECOLOGY, 25’ – Stavros Psillakis |
| POETICA PART A DOCUMENTARY, 60’ – George Panteleakis |
| RESURFACE, 60’ – Alexandros Papanikolaou |
| SIMPLE PEOPLE, SIMPLE AS CHILDREN, 35’ – Ioannis Kaspiris |
| SOUNDSCAPES, 30’ – Costas Stratoudakis |
| STOMP OUT POVERTY, 70’ – Dimitris Petropoulos, Christos Vassilopoulos |
| THE BIRD HOUSE, 93’ – Khoo Eng Yow |
| THE CAVE OF THE YELLOW DOG, 90’ – Byambasuren Davaa |
| THE JOURNEY, 5’ – Nikos Zoiopoulos |
| THE NEW FILES – WILDFIRES, 46’ – Stefanos Bertakis |
| THE ROAD TO CHINA, 47’ – Nicolas Koutsikas, Stephan Poulle |
| THE SPERM WHALES OF GREECE – LIFE IN THE TRENCHES, 17’ – Chris Johnson |
| THEOFILOS – KASSIALOS: TWO NAIF PAINTERS, 31’ – Fotis Garifalakis, Giorgos Koumouros |
| TILOS PASSION FOR LIFE, 51’ – Alexandros Louizidis |
| TRAVELING DREAMS, 46’ – Chryssa Tzelepi |
| UBOJITE MISLI, 3’ – Stanka Gjuric |
| UNDER THE CONSTRUCTION, 12’ – Montse Guiu Puget |
| UNSUNG HEROES OF MT. JADE, 23’ – Chia-chun Huang |
| WE ARE TOGETHER (THINA SIMUNYE), 86’ – Paul Taylor |
| WHAT IS THAT?, 5’ – Constantin Pilavios |
| ÅTEL ÁDNAN, WORDS IN EXILE, 52’ – Vouvoula Skoura |
| TRIBUTES |
| LAST WORDS, 13′ – Werner Herzog |
| L’INDE FANTOME, 378′ – Louis Malle |
| MEGARA, 69′ – Yorgos Tsemberopoulos, Sakis Maniatis |
| POETRY IN MOTION, 32′ – |
| SIGNS OF LIFE, 91′ – Werner Herzog |
2007
| COMPETITION FEATURE LENGTH FILMS |
| 4 ELEMENTS, 89′ – Jiska Rickels |
| 9 STAR HOTEL, 78′ – Ido Haar |
| A CRUDE AWAKENING, THE OIL CRASH, 83′ – Basil Gelpke |
| ARCTIC SON, 73′ – Andrew Walton |
| ARE STILL THERE ANY SHEPHERDS?, 73′ – Jorge Pelicano |
| DOS PATRIAS: CUBA Y LA NOCHE / TWO HOMELANDS: CUBA AND THE NIGHT, 84′ – Christian Liffers |
| FOREVER, 95′ – Heddy Honigmann |
| I AM THE ONE WHO BRINGS FLOWERS TO HER GRAVE | ANA ALATI TAHMOL AZOUHOUR ILA QABRIHA, 110′ – Hala Alabdalla & Ammar Albeik |
| KNOWLEDGE IS THE BEGININNING, 115′ – Paul Smaczny |
| MY COUNTRY, MY COUNTRY, 90′ – Laura Poitras |
| SURYA, FROM ELOQUENCE TO DAWN, 76′ – Laurent Van Lancker |
| THE CHANCES OF THE WORLD CHANGING, 99′ – Eric Daniel Metzgar |
| THE COLOR OF OLIVES / EL COLOR DE LOS OLIVO, 97′ – Carolina Rivas |
| THE SEAWALL / LA DIGUE, 67′ – Kostas Mavrofridis |
| COMPETITION FEATURE MEDIUM FILMS |
| 1%, 58′ – Lukas Schmid |
| A FISHING TALE, 41′ – Manolis Dimellas & Filippos Alveras |
| A KILLER BARGAIN, 57′ – Tom Heinemann |
| A TOOTHPICK TO CHINA / EN TANNSTIKKER TIL KINA, 43′ – Ingvild Spderlind |
| AKHMETELI 4, 65′ – Artchil Khetagouri |
| CHERNOBYL: THE INVISIBLE THIEF, 59′ – Christoph Boekel |
| HAKIKAT / ALETHEA, 41′ – Petra Holzer & Ethem Ozguven |
| INVISIBLE, 63′ – Roz Mortimer |
| MY PLACE IN THE DANCE, 52′ – Marianna Oikonomou |
| OPUS DEI, UNE CROISADE SILENCIEUSE / OPUS DEI, A SILENT CRUSADE, 52′ – Marcela Said Cares & Jean de Certeu |
| OUT OF BALANCE: EXXONMOBIL’S IMPACT ON CLIMATE CHANGE, 65′ – Joe Public |
| SCREAM OF THE STONE / GRITO DE PIEDRA, 60′ – Ton Van Zantvoort |
| SWEEPING ADDIS, 50′ – Corinne Kuenzli |
| THE WHITE SHE-CAMEL / LA CHAMELLE BLANCHE, 52′ – Xavier Christiaens |
| THE WORKHORSE, 60′ – Alain Marie |
| COMPETITION RAMSAR / MEDWET AWARD |
| A SUSTAINABLE FOREST IN THE LAND OF SCENTS, 30′ – Carlos Reis |
| DELTA, OIL’S DIRTY BUSINESS, 65′ – Yorgos Avgeropoulos |
| EXPLORING THE MOTHER OF WATERS, 44’30” – Brian Eustis |
| FAECAL ATTRACTION: POLITICAL ECONOMY OF DEFECATION, 32′ – Pradip Saha |
| GULF STREAM, THE ACHILLES HEEL, 52′ – Nikos Koutsikas & Stephan Poulle |
| O, 24′ – Pieter Jan de Pue |
| ONE METER BELOW THE FISH / UN METRO SOTTO I PESCI, 58′ – Michele Mellara & Alessandro Rossi |
| THE BELOVED COMMUNITY, 56′ – Pamela Calvert |
| THE WATER BEARER / LE PORTEUR D’EAU, 52′ – Pascal Gelinas |
| THE WATER FRONT, 52′ – Liz Miller |
| THE WATER IN OVERTIME / EL AGUA EN TIEMPOS EXTRAS, 5′ – Dominique Jonard |
| TRADITIONAL WATER MANAGEMENT AMONG THE STROMI VILLAGE PEOPLE, 16′ – Nikos Sfakianankis |
| WIDE IS THE SEA… OR A TIME TO GET STONES TOGETHER, 39′ – Nikolai Makarov |
| COMPETITION SHORT LENGTH FILMS |
| CALCUTTA CALLING, 16’30” – Andre Hoerman |
| CHASHI JAM / DINNER TIME, 3′ – Gor Baghdasaryan |
| DE ARBOL A ARBOL / FROM A TREE TO A TREE, 28′ – Belen Gonzalez Blanco |
| DEHISCENCE, 20′ – Zoi Manta |
| GOLDEN KITCHEN, 5′ – Philippe Witjes & Valerie Berteau |
| IDENTITIES, 24′ – Sawsan Darwaza |
| INSHALLAH, 24′ – Malene Choi Jensen |
| LEVIJATAN / LEVIATHAN, 15′ – Simon Bogojevic Narath |
| MOLOCH, 7′ – Martin Kobylechi |
| MOUSA, 4′ – Spyros Athinaiou |
| OTZENRATH, 26′ – Martijn Smits |
| SPIRALES / SPIRALS, 28′ – Marie Daniel |
| SPLENDID COMPASSES / COMPASSOS FORMIGAVEIS, 8′ – Andre Scucato & Cristina Pinheiro |
| STAR STORY, 8′,20” – Alexey Pochivalov |
| THE WILD SHEEP, THE FOX AND LOVE / VILLSAUEN, REVEN OG KJ?RLIGHETEN, 28′ – Anna Magnusen |
| TYGER, 5′ – Guilherme Marcondes |
| UNDER CONSTRUCTION / QAID AL-INSHAA, 18′ – Fadel al Muhairi |
| UNE PECHE D’ ENFER / A HELL OF FISHING, 23′ – Vincent Bruno |
| VISE OD TOGA / MORE THAN THAT, 17′ – Nisvet Hrustic |
| ZILZAL / THE EARTHQUAKE, 14′ – Mehmet Bahadir Er |
| PANORAMA |
| ARCADIA’S NOSTALGIA, 19′ – Gerasimos Vakros |
| BANANA SPLIT, 11′ – Nikoletta Papathanasiou |
| DEADLY CATCH, 16’ 12’’ – David Gough |
| DUET, 2’ 57’’ – Sil van der Woerd |
| HOME BY THE SEA, 52′ – Lefteris Xanthopoulos |
| HOPE EXISTS, 30′ – Christos Kallitsis |
| IRAQ IN FRAGMENTS, 92’ – James Longley |
| OF HOLIDAYS AND OLIVES, 38′ – Tijana Rakic & Yorgos Karagiannakis |
| OTJI TOILET, 9′ – Ralph Hofelein |
| PULVIS TARAKANAE, 7′ – Dimitris Xanthopoulos |
| RINOCERO’S HUNT, 13′ – Avra Georgiou |
| SUN COME UP! SUN GO DOWN!, 52′ – Angelos Kovotsos |
| SWIM, 4’ 48’’ – Sil van der Woerd |
| TARPON SPINGS, 45’ – George Economou |
| THE VROUKOUNDA FESTIVAL, 52′ – Theodoros Veneris |
| TSUNAMI-A YEAR AFTER, 39′ – Anneta Papathanassiou |
| WORDS MADE OF MARBLE, 39′ – Giannis Kamarinos |
| TRIBUTES |
| CARNIVAL / KARNEVAL, 71’ – Alen Dljevic |
| AKAMAS, 120’ – Panikos Chrysanthou |
| BASSAE, 8’ – Jean Daniel Polle |
| BRIDGES AND BARRIERS, 25’ – Veljko Djurovic |
| CONVERSING WITH SHATTERED THINGS: CHILE SEPTEMBER 11, 1973, 50′ – Yorgos Karipidis |
| EDGE OF OUTSIDE, 64’ – Shannon Davis |
| L’ ORDRE, 44’ – Jean-Daniel Pollet, Maurice Born, Malo Aguettant |
| MEDITERRANEE, 44’ – Jean Daniel Polle |
| NIRGENDWO IN AFRICA / NOWHERE IN AFRICA, 141’ – Caroline Link |
| ONE WORD, A THOUSAND IMAGES, 50’ – Fotos Lambrinos |
| RHODES FOR EVER / RHODES NOSTALGIE, 58’ – Diane Perelsztejn |
| THIS IS LONDON 1939-2005, THE BEGINNING AND THE END, 28’ – Aris Fatouros |
| WOMEN ON CROSSWAY, 21’ – Benjamin Filipovic, Damir Kaletovic |
| YOUTH IN REGION–VOICE UNHEARD, 3’ – Milos Petricic |
2006
2005
|
2004
| COMPETITION FEATURE LENGTH FILMS |
| FIRE FIGHTERS (Suriya Arana), 105′ – Somaratne Dissanayake |
| HOM€LAND (H€IMAT), 70′ – Dietmar Hoss |
| INHERITANCE: A FISHERMAN’S STORY, 75′ – Peter Hegedus |
| MARSEILLES, A GREEK PROFILE (Marseille, Profil Grec), 87′ – Marco Gastine |
| MIMI, 113′ – Claire Simon |
| MOTHERLAND – A GENETIC JOURNEY, 89′ – Archie Baron |
| POWER TRIP, 85′ – Paul Devlin |
| SUMMER LIGHTNING, 81′ – Nicos Ligouris |
| THE CORPORATION, 168′ – Mark Achbar, Jennifer Abbott |
| THE HOLE IN THE WALL, 58′,30” – Rory O’ Connor, Gil Rossellini |
| THE TURTLE PEOPLE (Aamakaar), 76′ – Surabhi Sharma |
| WILDNESS, 56′ – Scott Millwood |
| COMPETITION RAMSAR / MEDWET AWARD |
| A SILENT KILLER, 23′ – Dhananjoy Mandal |
| AN ELEGY OF WATER, 4′ – Alkisti Michailidou |
| DROWNED OUT, 75′ – Franny Armstrong |
| KOOM LA VIIM, 15′ – Jean-Luc Slock |
| THE MOJSINJE: STOP THE CRIME! (Mojsinje: Stop Zlocinu!), 39′ 15” – Vladimir Perovic |
| THE RIVER STILL HAS SOME FISH (Rudkhane Hanuz Mahi Darad), 42′ – Mojtaba Mirtahmasb |
| WATER, 41′ – Farhad Mehranfar |
| WATER IS LIFE (L’ Eau C’ Est la Vie), 9′ – Louise-Marie Colon, Jean-Luc Slock |
| WATER JOURNEY-URUMIAH (Safar e Abi-Urumiah), 27′ – Javad Taheri |
| WATER, WATER, LIFE (Ab Ab Zendegi), 8′ – Elahe Golmohammadi |
| XOCHIMILCO, 4’22’ – Ernesto Macip Molina |
| COMPETITION SHORT LENGTH FILMS |
| 64 SQUARES 32 WOODEN STICKS, 47′ – Theodore Kalessis |
| AT LEAST THEY HAD TO OBTAIN THE ROTATION (Dovevano Almeno Ottenere di Fare la Rotazione), 52’ – Luca Pastore |
| ATHINAS 12:00′, 8′ – Maria Giannouli |
| BACKLIGHT: HUMAN RESOURCES, BUENOS AIRES 2002, 49′ – Marije Meerman |
| BILBY BROTHERS- The Men Who Killed The Easter Bunny, 47′ – Jim Stevens |
| BIOTOPE, 8′ – Merwan Chabane |
| BIRDS, 5’20’’ – Angelos Spartalis |
| CLIMATE ON THE EDGE, 52′ – Alain Belhumeur |
| HARAVYI (SUNRISE), 17′ – Yannis Katsamboulas |
| HOWRAH STATION – CALCUTTA, 26′ – Harrie Timmermans |
| JOURNEYS, 38′ – Vinayan Kodoth |
| MAKING A LIVING – MAKING A LIVING, 10′ – Justelene Papacosma |
| MARY ANN SPEAKS OUT, 46’20’’ – Eeva Jantti |
| NECTAR AND POISON, 11′ – Abbas Mohajeran |
| NEIGHBOURS (SUSJEDI), 28′ – Annika Sylvin Reuter |
| OF COWS AND MEN (O KRAVAMA I LJUDIMA), 23′ – Zrinka Matijevic Velican, Nebojsa Slijepcevic |
| PYLA-LIVING TOGETHER SEPARATELY, 52′ 42” – Elias Demetriou |
| SLOW FOOD REVOLUTION, 52′ – Carlo Buralli |
| SOLILOQUIES, 32′ – Pola Bousiou |
| SURPLUS, 52′ – Erik Gandini |
| SURVEY, 4’36’’ – Joe King |
| THE BLOSSOM TIME OF SPRING (Waght Shekoftane Bahar), 16’ – Elahe Golmohammadi |
| THE GREAT ADVENTURE, 52′ – Jean Lemire, Thierry Piantanida |
| THE MIGHTY PRODUCT FETISH, 52′ – Chiara Sambuchi, Roland May |
| THE OLD WHETSTONE, 45′ – Hjalmtyr Heiddal |
| THE PAPER MILL (El Moli Paperer), 6′ – Sergi Marti, Anna Molins, Marc Riba, Nuria Riba, Anna Solanas |
| THE SILENT CHARMERS (I Silenti Incantatori), 23′ – Simonetta Cappello |
| THE TRAVELLING TALESMAN (Le Commis Conteur), 54′ – Thierry Dory |
| THE WILD BLUE MOUNTAINS, 24′ – Robert Wyatt |
| WILD AFRICA ON FILM, 52′ – Michel Viotte |
| WINGING, 20′ – Stelios Apostolopoulos |
| PANORAMA |
| A LAST RESORT (De Âadgast de Âaas), 40′ – Hetty van Oordt |
| BARGE KEEPER (Cunar Teggaca), 20′ – Silvio Mirosnicenko |
| BATTLE’S POISON CLOUD, 53′ – Cecile Trijssenaar |
| BHUTAN, WOMEN OF THE DRAGON KINGDOM – PART 2: URBANISATION , 60′ – Babeth M. VanLoo |
| DEAREST (Querido), 17′ – Reine Mitri |
| EN PASSANT, 78′ – Mirjam Boelsums, Lony Scharenborg |
| ENDOHORA, 58′ – Dimitris Gouziotis |
| LORDS OF THE ARCTIC, 52′ – Caroline Underwood |
| MEDITERRANEAN MONK SEAL: A LINK IN THE CHAIN OF LIFE, 30’15” – Vasso Kanellopoulou |
| POWER PLANTS – BAMBOO COUNTDOWN, 52′ – |
| PROTECTORS OF BIRDS (Madarvedok), 52′ – Jozsef Safrany |
| REGULAR OR SUPER-VIEWS ON MIES VAN DER ROHE, 56′ – Joseph Hillel, Patrick Demers |
| SAFARI IN WILD AFRICA (Le Dernier Safari), 52′ – Michel Viotte |
| SHELTER DOGS, 74′ – Cynthia Wade |
| SUN CITY (Cinema Soleil), 52′ – Jean-Paul de Zaeytijd |
| SURTSEY – THE BLACK ISLAND (Surtsey – Eyjan svarta), 40′ – Helga Brekkan |
| THE 26th, 5′ – Ellen Eastwood |
| THE GHOSTS OF LOMAKO, 64′ 36” – Kenton Vaughan |
| THE GREAT WARMING – EPISODE 3: OUR CHILDREN’S PLANET, 46′ – Jean-Francois Despres |
| THE INCREDIBLE HULIK AND HIS BEAVERS, 50′ – Harald Pokieser |
| THE LEGACY OF A REVOLUTION (Eredita’ di una rivoluzione), 60′ – Luca Pastore |
| THE LEVIS HVC, 58” – Nicholas Markel |
| THE STORY OF THE WEEPING CAMEL (Die Geschichte vom Weinenden Kamel), 90′ – Byambasuren Davaa, Luigi Falorni |
| THE TALE OF THE FLOATING WORLD (Le Conte du Monde Flottant), 24′ – Alain Escalle |
| WITH BEAK AND CLAW (Dziobem i pazurem), 52’30” – Krystian Matysek |
| TRIBUTE: INDIGENOUS PEOPLES |
| BAKA, THE RAINFOREST PEOPLE, 104′ – Phil Agland |
| BARAKA, 96′ – Ron Fricke |
| CARAVAN (Himalaya-L’ Enfance du’ un Chef), 109′ – Eric Vali |
| DENI LAND, 25′ – Petros Katsakos |
| JAVNA, REINDEER HERDSMAN IN THE YEAR 2000 (Javna, Renskotare Ar 2000), 35′ – Stefan Jarl |
| NANOOK OF THE NORTH, 143′ – Robert Flaherty |
| SHOMOTSI, 42´ – Valdete Pinhanta Asheninka |
| THE LAST WAVE, 106′ – Peter Weir |
| THE LEECH AND THE EARTHWORM, 68′ – Max Pugh |
| THE SPIRIT OF KUNA YALA, 52′ – Andrew Young, Susan Todd |
| THE WHALE RIDER, 101′ – Niki Caro |
| THREAT (Hotet / Uhkaddus), 72′ – Stefan Jarl |
2003
|
Eco-terrorism (documentary)
Cradle to Cradle
William McDonough’s book, written with his colleague, the German chemist Michael Braungart, is a manifesto calling for the transformation of human industry through ecologically intelligent design. Through historical sketches on the roots of the industrial revolution; commentary on science, nature and society; descriptions of key design principles; and compelling examples of innovative products and business strategies already reshaping the marketplace, McDonough and Braungart make the case that an industrial system that “takes, makes and wastes” can become a creator of goods and services that generate ecological, social and economic value.
In Cradle to Cradle, McDonough and Braungart argue that the conflict between industry and the environment is not an indictment of commerce but an outgrowth of purely opportunistic design. The design of products and manufacturing systems growing out of the Industrial Revolution reflected the spirit of the day-and yielded a host of unintended yet tragic consequences.
Today, with our growing knowledge of the living earth, design can reflect a new spirit. In fact, the authors write, when designers employ the intelligence of natural systems—the effectiveness of nutrient cycling, the abundance of the sun’s energy—they can create products, industrial systems, buildings, even regional plans that allow nature and commerce to fruitfully co-exist.
Cradle to Cradle maps the lineaments of McDonough and Braungart’s new design paradigm, offering practical steps on how to innovate within today’s economic environment. Part social history, part green business primer, part design manual, the book makes plain that the re-invention of human industry is not only within our grasp, it is our best hope for a future of sustaining prosperity.
In addition to describing the hopeful, nature-inspired design principles that are making industry both prosperous and sustainable, the book itself is a physical symbol of the changes to come. It is printed on a synthetic ‘paper,’ made from plastic resins and inorganic fillers, designed to look and feel like top quality paper while also being waterproof and rugged. And the book can be easily recycled in localities with systems to collect polypropylene, like that in yogurt containers. This ‘treeless’ book points the way toward the day when synthetic books, like many other products, can be used, recycled, and used again without losing any material quality—in cradle to cradle cycles.
